Mudpie.Synopsis: THE SUNDAY TIMES TOP BESTSELLER#1 NEW YORK TIMES BESTSELLERSHORTLISTED FOR THE WOMEN'S PRIZELONGLISTED FOR THE ORWELL PRIZE But unlike Desiree, whose skin is described as 'the color of sand barely wet,' little Jude is 'blueblack' her father, we're told, was 'the darkest man could find.' What awaits Jude as she grows up and attends school in 'colorstruck' Mallard are years of shunning by her light-skinned classmates who label her: 'Tar Baby. She's seeking refuge from an abusive husband and is tugging her little daughter, Jude, by the hand.

The novel actually opens at a much later point in the story, when Desiree, the once wilder sister, is trudging on the road back to her mother's house in Mallard. She's so successful, that she vanishes completely into whiteness, abruptly cutting off all ties for decades with both her broken-hearted sister and her mother back in Mallard.īennett's omniscient narrator roams around here, checking in on multiple characters and jumping backwards and forwards in time. Intrigued by an ad for secretarial work, the quieter sister, Stella, decides to try to pass as white. In 1952, when the sisters are 16, they decide to run away to New Orleans to see what the wider world has to offer. It's a town where all the residents are light-skinned African Americans. The Vanishing Half tells the multi-generational story of the Vignes sisters, Desiree and Stella, two very pretty identical twins who grow up in the small town of Mallard, La. In The Vanishing Half, Bennett takes up a subject perfectly suited to her signature melodramatic style: I'm talking about 'racial passing,' which has inspired, mostly tragic novels like Nella Larsen's Passing, as well as Douglas Sirk's grand cinematic tear-jerker, Imitation of Life. Now, I'm recognizing that's how Bennett rolls as a novelist: embracing melodrama as a beguiling way to delve into difficult topics. I liked her debut novel, The Mothers- about the long consequences of an unplanned teenage pregnancy - but I'd also faulted it for being melodramatic. That relatively small moment in this novel caught my attention it felt to me that Bennett here was also talking in defense of her own fiction and its heavy 'trafficking' in coincidences and other over-the-top plot contrivances. In fact, some of the greatest classic actresses - Bette Davis, Joan Crawford, Greta Garbo - trafficked in it from time to time.' She's an attractive blonde pushing 30, who, after years of trying to make it in the serious theater, lands a role on a soap opera.īennett writes that when Kennedy calls her parents to tell them about her big break, she assures them that 'There was nothing wrong with melodrama.

One of the characters that comes to the fore in the second half of Brit Bennett's new novel, The Vanishing Half, is a young actress named Kennedy Sanders.

Your purchase helps support NPR programming. Close overlay Buy Featured Book Title The Vanishing Half Author Brit Bennett

Synopsis of the vanishing half